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Ceramics-targeted info management for ongoing testing & development of bodies, glazes, engobes, etc. More..

Insight-Live Renewable Plans

Personal

$14.56/182days

$21.90/365days

$36.00/720days

Create an account or login using the buttons above.

Group

$99/182days

$178.85/365days

$321.20/730days

To SignUp: Create a personal account first, then convert it to a group.

Managed

  • We participate as an administrative team member of your group to help with project(s) or QC management.

To SignUp: Create a group account first

Compare Services

Personal Group Managed
Data not erased on lapse (unless you request)
Maintain recipes, units
Do chemistry
Maintain materials
Maintain photos
Maintain firing schedules
Maintain projects
Maintain testing records
Sharing OnLine
Number of users 1 20 20+
Our oversight and training

What People Say About Us

• The body of work you present, and the obvious attention you have paid to your website, is quite noteworthy. To me it’s a bit like AutoCad: it has everything, but you need training in how to use it!

• I just wanted to say, thank you! I’m relatively new to pottery, taking a mostly self-taught approach and I’m at the stage where glazing is in my mind. I don’t want to be (and can’t see myself ever) buying glazes from commercial suppliers. I want to learn my craft with glaze as much as I do with my clay preparation and pottery making. I’ve seen “the dragon” and been uninspired by so much of what I find online and to be honest, in many glaze books. It seems more popular to try and present a mass of glaze possibilities than to offer a learning experience beyond being told a glaze needs a melter, a refractory and a glass-maker. Enough to offer a very basic understanding, but nothing upon which to build the understanding that will allow some degree of mastery (or at least influence) of your glaze making. I am so pleased to have found digitalfire.com. You’ve shown me exactly how to approach and understand glazing, giving me the foundation for approach I sought. I was thinking of base glazes and what you’ve shown me about working on from those is fantastic and exactly what I was looking for. To have a reliable base glaze to modify and develop to meet different needs; to understand how to shift a melting point or adjust the surface gloss; to come to know how the mechanisms in a glaze and understanding them gives me the route to creating glazes that realize my intentions - wow! I can’t thank you enough. Rather than having to form a dumb reliance on a book of recipe cards and a bunch of website bookmarks (which I wasn’t wanting to go for) you’ve given me the foundation for a lifelong development and understanding of the glazes I will make, that will become “my” glazes. You have really opened my mind to the whole subject and it doesn’t seem to be a problem that I’m no scientist or chemist. You’ve shared your knowledge in a way that is completely approachable and remarkably easy to understand for someone without any kind of science/chemistry background.

• A big thank you for sharing your vast knowledge through this site. I have spent many an hour scouring your articles and learning. Your depth of understanding of so many different aspects of ceramics often exceeds what is available in many books.

• Hey Tony, just like to say thanks for your fantastic site as it has been the best reference guide for my helper and I.

• I'm accepting the challenge. First: find/develop a good base recipe. One for clear and one for celadon. Then add the colors. And play with "surface." Experiment. Keep impeccable notes. Change one variable at a time. Yada, yada.


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