Personal
$14.56/182days
$21.90/365days
$36.00/720days
Create an account or login using the buttons above.
Group
$99/182days
$178.85/365days
$321.20/730days
To SignUp: Create a personal account first, then convert it to a group.
Managed
- We participate as an administrative team member of your group to help with project(s) or QC management.
To SignUp: Create a group account first
Compare Services
| Personal | Group | Managed | |
|---|---|---|---|
| Data not erased on lapse (unless you request) | ✓ | ✓ | ✓ |
| Maintain recipes, units | ✓ | ✓ | ✓ |
| Do chemistry | ✓ | ✓ | ✓ |
| Maintain materials | ✓ | ✓ | ✓ |
| Maintain photos | ✓ | ✓ | ✓ |
| Maintain firing schedules | ✓ | ✓ | ✓ |
| Maintain projects | ✓ | ✓ | |
| Maintain testing records | ✓ | ✓ | |
| Sharing OnLine | ✓ | ||
| Number of users | 1 | 20 | 20+ |
| Our oversight and training | ✓ |
What People Say About Us
• The body of work you present, and the obvious attention you have paid to your website, is quite noteworthy. To me it’s a bit like AutoCad: it has everything, but you need training in how to use it!
• I just wanted to say, thank you! I’m relatively new to pottery, taking a mostly self-taught approach and I’m at the stage where glazing is in my mind. I don’t want to be (and can’t see myself ever) buying glazes from commercial suppliers. I want to learn my craft with glaze as much as I do with my clay preparation and pottery making. I’ve seen “the dragon” and been uninspired by so much of what I find online and to be honest, in many glaze books. It seems more popular to try and present a mass of glaze possibilities than to offer a learning experience beyond being told a glaze needs a melter, a refractory and a glass-maker. Enough to offer a very basic understanding, but nothing upon which to build the understanding that will allow some degree of mastery (or at least influence) of your glaze making. I am so pleased to have found digitalfire.com. You’ve shown me exactly how to approach and understand glazing, giving me the foundation for approach I sought. I was thinking of base glazes and what you’ve shown me about working on from those is fantastic and exactly what I was looking for. To have a reliable base glaze to modify and develop to meet different needs; to understand how to shift a melting point or adjust the surface gloss; to come to know how the mechanisms in a glaze and understanding them gives me the route to creating glazes that realize my intentions - wow! I can’t thank you enough. Rather than having to form a dumb reliance on a book of recipe cards and a bunch of website bookmarks (which I wasn’t wanting to go for) you’ve given me the foundation for a lifelong development and understanding of the glazes I will make, that will become “my” glazes. You have really opened my mind to the whole subject and it doesn’t seem to be a problem that I’m no scientist or chemist. You’ve shared your knowledge in a way that is completely approachable and remarkably easy to understand for someone without any kind of science/chemistry background.
• A big thank you for sharing your vast knowledge through this site. I have spent many an hour scouring your articles and learning. Your depth of understanding of so many different aspects of ceramics often exceeds what is available in many books.
• Hey Tony, just like to say thanks for your fantastic site as it has been the best reference guide for my helper and I.
• I'm accepting the challenge. First: find/develop a good base recipe. One for clear and one for celadon. Then add the colors. And play with "surface." Experiment. Keep impeccable notes. Change one variable at a time. Yada, yada.
Click here to see all 220