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Ceramics-targeted info management for ongoing testing & development of bodies, glazes, engobes, etc. More..

Insight-Live Renewable Plans

Personal

$14.56/182days

$21.90/365days

$36.00/720days

Create an account or login using the buttons above.

Group

$99/182days

$178.85/365days

$321.20/730days

To SignUp: Create a personal account first, then convert it to a group.

Managed

  • We participate as a team member with setup of a testing program and/or ongoing QC, product development, trouble shooting, software adaptation. Starts at $1500/mth.

To SignUp: Create a group account first

Compare Services

Personal Group Managed
Data not erased on lapse (unless you request)
Maintain recipes, units
Do chemistry
Maintain materials
Maintain photos
Maintain firing schedules
Maintain projects
Maintain testing records
Sharing OnLine
Number of users 1 20 20+
Our oversight and training

What People Say About Us

• Yet again, you provide a quick answer not easily found elsewhere (a bowl was befuddling me with wall cracks that never made it to any edges.)

• I just wanted to say, thank you! I’m relatively new to pottery, taking a mostly self-taught approach and I’m at the stage where glazing is in my mind. I don’t want to be (and can’t see myself ever) buying glazes from commercial suppliers. I want to learn my craft with glaze as much as I do with my clay preparation and pottery making. I’ve seen “the dragon” and been uninspired by so much of what I find online and to be honest, in many glaze books. It seems more popular to try and present a mass of glaze possibilities than to offer a learning experience beyond being told a glaze needs a melter, a refractory and a glass-maker. Enough to offer a very basic understanding, but nothing upon which to build the understanding that will allow some degree of mastery (or at least influence) of your glaze making. I am so pleased to have found digitalfire.com. You’ve shown me exactly how to approach and understand glazing, giving me the foundation for approach I sought. I was thinking of base glazes and what you’ve shown me about working on from those is fantastic and exactly what I was looking for. To have a reliable base glaze to modify and develop to meet different needs; to understand how to shift a melting point or adjust the surface gloss; to come to know how the mechanisms in a glaze and understanding them gives me the route to creating glazes that realize my intentions - wow! I can’t thank you enough. Rather than having to form a dumb reliance on a book of recipe cards and a bunch of website bookmarks (which I wasn’t wanting to go for) you’ve given me the foundation for a lifelong development and understanding of the glazes I will make, that will become “my” glazes. You have really opened my mind to the whole subject and it doesn’t seem to be a problem that I’m no scientist or chemist. You’ve shared your knowledge in a way that is completely approachable and remarkably easy to understand for someone without any kind of science/chemistry background.

• When it comes to new technology, I'm still thrilled with the chainsaw as apposed to an ax. I really do like glaze testing. You see a recipe in a book but it doesn't do you a lot of good until you can see it on a tile.

• Thank you so much! Super interesting. Love all the explanations for what is seen and experienced day-to-day in the studio.

• Extremely useful resource Digital Fire. By the way your writing style is truly unique and is easily understandable even though of technical nature.


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