• I personally think that collaborations with the greatest expert in the sector makes me richer in knowledge and it will allow me to discover the fantastic secrets of ceramic.

• After more than 50 years making pots, selling and teaching I’m done. Worn to a frazzle. Just wanted to let you know that over the years I’ve relied on you for information on materials and glazes. I’ve never been disappointed, and I owe you a big thanks. I’m over 80 and I need to slow down. I’ll continue making pottery, but not so much. I’ve been at it since 1968 (phew!). I thank you for your advice and especially for your website and its cascading information. Always useful, always on target. I’m only sad that I was not able to meet you in person. Peace, love and happiness.

• Thanks Tony. You are offering a very valuable service to the potters.

• I just wanted to say, thank you! I’m relatively new to pottery, taking a mostly self-taught approach and I’m at the stage where glazing is in my mind. I don’t want to be (and can’t see myself ever) buying glazes from commercial suppliers. I want to learn my craft with glaze as much as I do with my clay preparation and pottery making. I’ve seen “the dragon” and been uninspired by so much of what I find online and to be honest, in many glaze books. It seems more popular to try and present a mass of glaze possibilities than to offer a learning experience beyond being told a glaze needs a melter, a refractory and a glass-maker. Enough to offer a very basic understanding, but nothing upon which to build the understanding that will allow some degree of mastery (or at least influence) of your glaze making. I am so pleased to have found digitalfire.com. You’ve shown me exactly how to approach and understand glazing, giving me the foundation for approach I sought. I was thinking of base glazes and what you’ve shown me about working on from those is fantastic and exactly what I was looking for. To have a reliable base glaze to modify and develop to meet different needs; to understand how to shift a melting point or adjust the surface gloss; to come to know how the mechanisms in a glaze and understanding them gives me the route to creating glazes that realize my intentions - wow! I can’t thank you enough. Rather than having to form a dumb reliance on a book of recipe cards and a bunch of website bookmarks (which I wasn’t wanting to go for) you’ve given me the foundation for a lifelong development and understanding of the glazes I will make, that will become “my” glazes. You have really opened my mind to the whole subject and it doesn’t seem to be a problem that I’m no scientist or chemist. You’ve shared your knowledge in a way that is completely approachable and remarkably easy to understand for someone without any kind of science/chemistry background.

• I am a high school senior AP ceramics student investigating glaze chemistry and rheology. I spend a great deal of my free time browsing the digitalfire reference library, and would have never developed the passion I have for ceramics chemistry had I not come across it.